Sabtu, 26 Juli 2014

[T252.Ebook] PDF Download The Gardener and the Carpenter: What the New Science of Child Development Tells Us About the Relationship Between Parents and ChildrenBy

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The Gardener and the Carpenter: What the New Science of Child Development Tells Us About the Relationship Between Parents and ChildrenBy

One of the world's leading child psychologists shatters the myth of "good parenting"

Caring deeply about our children is part of what makes us human. Yet the thing we call "parenting" is a surprisingly new invention. In the past thirty years, the concept of parenting and the multibillion dollar industry surrounding it have transformed child care into obsessive, controlling, and goal-oriented labor intended to create a particular kind of child and therefore a particular kind of adult. In The Gardener and the Carpenter, the pioneering developmental psychologist and philosopher Alison Gopnik argues that the familiar twenty-first-century picture of parents and children is profoundly wrong--it's not just based on bad science, it's bad for kids and parents, too.

Drawing on the study of human evolution and her own cutting-edge scientific research into how children learn, Gopnik shows that although caring for children is profoundly important, it is not a matter of shaping them to turn out a particular way. Children are designed to be messy and unpredictable, playful and imaginative, and to be very different both from their parents and from each other. The variability and flexibility of childhood lets them innovate, create, and survive in an unpredictable world. “Parenting" won't make children learn―but caring parents let children learn by creating a secure, loving environment.

  • Sales Rank: #11993 in Books
  • Published on: 2016-08-09
  • Released on: 2016-08-09
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.61" h x 27.94" w x 5.72" l, 1.00 pounds
  • Binding: Hardcover
  • 320 pages

Review

“Bracing and thoughtful . . . Educators looking to resist the current vogue for highly scripted, teacher-driven lesson modules will be delighted by Gopnik’s strong scientific case for letting children guide their own learning . . . Gopnik shines when she describes the intricate world of children’s play . . . She also has a subtle grasp of policy problems bedeviling young children and their families . . . Gopnik never veers from her faith in the warm human bond between caregiver and child that drives not only 'the pathos, but also the moral depth' of being a parent. This lovely book, and the life’s work that animates it, will only deepen that bond, helping our children to flourish.” ―Erika Christakis, The Washington Post

“Fascinating and passionate . . . A welcome corrective to the results-driven approach to parenting.” ―Bee Wilson, The Guardian

"Alison Gopnik's The Gardener and the Carpenter should be required reading for anyone who is, or is thinking of becoming, a parent . . . Hers is a rare erudition: scholarly, yes, but accessible and rooted in her experience as a mother and grandmother . . . Gopnik's science-based assertion is a welcome corrective to the prevailing culture of coaching and tutoring children―often at great expense―to avoid failure.” ―Isabel Berwick, Financial Times

"[The Gardener and the Carpenter] calls into question the modern notion that good parents can mold their children into successful adults . . . Gopnik writes with an approachable style and straightforward language . . . One of the most profound observations comes when Gopnik struggles, as many parents and grandparents do, with children using smartphones and other screen-based technologies . . . Children are not supposed to become like their parents; they learn from them to create something new. Each generation is different from the ones before. And that, Gopnik suggests, is the whole point of being human." ―Courtney Humphries, The Boston Globe

"Deeply researched . . . [Gopnik's] approach focuses on helping children to find their own way . . . She describes a wide range of experiments showing that children learn less through 'conscious and deliberate teaching' than through watching, listening, and imitating.” ―Josie Glausiusz, Nature

“What a relief to find a book that takes a stand against the practice of “helicopter parenting” so prevalent today . . . [The Gardener and the Carpenter] not only dispels the myth of a single best model for good parenting but also backs up its proposals with real-life examples and research studies . . . This book will provide helpful inspiration for parents and may prompt some to rethink their strategies.” ―Publishers Weekly (starred review)

About the Author
Alison Gopnik is a professor of psychology and an affiliate professor of philosophy at the University of California, Berkeley. She is an internationally recognized leader in the study of children's learning and development. She writes the Mind and Matter column for The Wall Street Journal and is the author of The Philosophical Baby and coauthor of The Scientist in the Crib. She has three sons and lives in Berkeley, California, with her husband, Alvy Ray Smith.

Most helpful customer reviews

33 of 33 people found the following review helpful.
Gopnik has written yet another wonderful, wise book about children.
By Graham H. Seibert
Gopnik's gardener/carpenter metaphor goes to the heart of the way children are seen in modern America, epitomized by the recent coinage "parenting." A gardener supports animate objects as they grow according to their own internal nature. A carpenter shapes inanimate objects entirely according to his own will. In Gopnik's words:

"In the parenting model, being a parent is like being a carpenter. You should pay some attention to the kind of material you are working with, and it may have some influence on what you try to do.

"But essentially your job is to shape that material into a final product that will fit the scheme you had in mind to begin with. And you can assess how good a job you’ve done by looking at the finished product. Are the doors true? Are the chairs steady? Messiness and variability are a carpenter’s enemies; precision and control are her allies. Measure twice, cut once.

"When we garden, on the other hand, we create a protected and nurturing space for plants to flourish. It takes hard labor and the sweat of our brows, with a lot of exhausted digging and wallowing in manure. And as any gardener knows, our specific plans are always thwarted. The poppy comes up neon orange instead of pale pink, the rose that was supposed to climb the fence stubbornly remains a foot from the ground, black spot and rust and aphids can never be defeated."

The objective of parenting is to produce straight-A students, lawyers and other such well-defined products. She argues that the objective should be to produce successful, self-reliant adults.

She is equally critical of school systems, with their emphasis on standardized testing and achievement measured by grades. She notes that school is a recent invention. Well into the 19th century most children learned through apprenticeship, and much of that apprenticeship was home on the farm or in the workshop, with two parents. She observes that children simply do not learn basic life skills such as cooking, cleaning, and basic carpentry. They are not in any way apprenticed to their parents, and don't pick these things up. I add that they do not learn how to get along with the opposite sex. Sex education is no substitute for unsupervised or lightly supervised play. Gopnik provides a lovely example. The schools never teach the rhyme "John and Mary sitting in a tree K I S S I N G." Nonetheless, kids of every generation she has inquired about know the rhyme, and in the process of learning it they probably learned more than the tab A goes into slot B kind of information they pick up from sex education.

Gopnik is rather defensive of modern technology. She is not scared that children are increasingly preoccupied with their electronic devices. I am more of a skeptic – my five-year-old does not have them. As a parent of grown children and a long time substitute teacher I observe that this generation simply does not read as much as mine did. This would not be bad if some better technology had supplanted it. Video has simply not done that. Material delivered via video is slower, and an oral vocabulary generally somewhat diminished. From my observation, the chief benefit of video and computers is in the presentation of graphic images accompanying a lecture. Even at that, pictures in books usually work better, and PowerPoint is seldom done well. I would challenge her to inquire deeply as to how many of her undergraduate students at Berkeley actually read her books, or any of the assigned books in the depth that she did as a student.

She attributes many modern problems such as the ADHD epidemic to the attempt to force kids to perform tasks for which they are not temperamentally or intellectually prepared. Her advice would be to have faith – let them follow their own paths.

Gopnik's area of expertise is early childhood development. Several chapters of this book recount the findings that she describes in more detail in The Philosophical Baby. The core message is that children are very alert and are doing their own thinking from an early age. They are not whatsoever the passive, receptive vessels that the reigning paradigms of "parenting" and teaching would assume. They learn all the time, especially through play. They will learn in any case, and that process may be stultified my parents and teachers who impose too much structure on the process.

Gopnik places herself at the intersection of two major streams of contemporary thought. Her setting in Berkeley, and her Jewish roots incline her to believe that all children are born more or less equal and must be treated equally. On the other hand, her experience as a scientist and as a mother and grandmother goes the other way. Even though all children may have an equal right to the good things of this world, her children and grandchildren are special. Isn't that the way we all are? She is honest enough to admit the dilemma. She writes:

"The very idea of a law, for example, is that some principle applies equally to all. But I care about and am responsible for my own specific children, far more than children in general. And so I should be."

One of the best bits of learning to fall out of this book has nothing to do with children. The philosopher Isaiah Berlin promoted the notion of value pluralism. This is the idea that our fundamental values are and will always be in conflict with one another. We have to have the humility to recognize it. Whenever somebody has a plan to end all human misery – think Robespierre and Karl Marx – look out!

Her discussion of the evolution of motherhood gives a great deal of credit to Sarah Blaffer Hrdy, the books of whom I have read, Mother Nature and Mothers and Others, are strong in the position that the human race has been as successful as we are precisely because families and tribes are so involved in supporting the mother and raising children. We are the only primates to undergo menopause. Why? Because the grandmother's genetic interest is served by supporting grandchildren, not bearing more children herself.

I am somewhat surprised that she does not cite Judith Rich Harris' books, No Two Alike: Human Nature and Human Individuality and The Nurture Assumption on the importance of their genetic inheritance, caregivers and peers relative to parents in influencing the way a child develops. A less surprising oversight is Joel Paris' Myths of Childhood which also stresses the resourcefulness and resilience of children when they are simply given guidance and support and trusted to grow more or less on their own.

Gopnik spends a vast number of words on the topic of why we have children, but seems yet to miss the point. She is right to say that they represent a tremendous expense. She is right again to say that they are a gamble – you can't count on them to be successful or to be grateful. She slides over the most fundamental point. We are self replicators. That's what we do. The single thing we can say with certainty about our ancestors is that they all reproduced successfully. Our family, clan, tribe and nation historically pushed us to reproduce. It was altruistic to the extent that those groups belonged to a tight gene pool. It was not whatsoever altruistic in the recognition that the gene pools were in competition.

She comes closest as she writes that "figuring out why being a parent is worthwhile isn't just a personal or biological question, but a social and political one. Caring for children has never, in all his human history, just been the role of the biological mothers and fathers. From the very beginning it's been a central project for any community of human beings. This is still true." She might add that our religion and tribal identity still push in this direction. That is what is so frightening about the immigrants pressing on the United States and Europe. They still have their religion and tribalism – and it is effective.

Reprising a theme from her earlier books, she devotes a lot of space to the topic of love. She discusses the aspects of conjugal love - lust, romantic love and companionship - and the commonalities between conjugal love and love for children. She is very strong in describing her own feelings about her children and grandchildren, but does not make it as convincing of a case for people in general. My own sense is that love and affection are parts of temperament that vary from population to population as well as from person to person, and that she may be overgeneralizing from her own experience and her own culture.

To wrap up, this is an important book on a theme that deserves more attention than it gets. Gopnik is right on the big points, and is open enough as a scientist and intellectual to consider alternative points of view. She is what a scientist should be, and she is also a very readable and entertaining author. Five stars.

5 of 5 people found the following review helpful.
Great read even if you aren't raising children
By MWH
Thoughtful book, clearly talking about how children explore and learn. We don't shape children (the carpenter) but provide the environment (gardener) that supports them as they develop the tools to flourish in the future, unpredictable world. The author also writes about society, caregiving, and aging. I'm not directly involved with children, or grandchildren, yet I found this a fascinating book to read. I highly recommend it.

1 of 1 people found the following review helpful.
A new book that is a significant achievement
By Susan Solomon
This is an excellent book, one that has implications not only for caregivers but also for school boards, teachers, parks departments. Gopnik's writing is clear, accessible, and witty. She supports all of her conclusions with strong and recent data. Many people who work with children and spaces for children have been hoping for a long time that a scientist would write a book like this.

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Kamis, 24 Juli 2014

[I394.Ebook] Download Ebook Faerie Winter: Book 2 of the Bones of Faerie Trilogy, by Janni Lee Simner

Download Ebook Faerie Winter: Book 2 of the Bones of Faerie Trilogy, by Janni Lee Simner

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Faerie Winter: Book 2 of the Bones of Faerie Trilogy, by Janni Lee Simner

Faerie Winter: Book 2 of the Bones of Faerie Trilogy, by Janni Lee Simner



Faerie Winter: Book 2 of the Bones of Faerie Trilogy, by Janni Lee Simner

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Faerie Winter: Book 2 of the Bones of Faerie Trilogy, by Janni Lee Simner

The long-awaited sequel to Janni Lee Simner's breathtaking YA fantasy debut, Bones of Faerie.

Liza is a summoner. She can draw life to herself, even from beyond the grave. And because magic works both ways, she can drive life away. Months ago, she used her powers to banish her dangerous father and to rescue her mother, lost in dreams, from the ruined land of Faerie.

Born in the wake of the war between humanity and Faerie, Liza lived in a world where green things never slept, where trees sought to root in living flesh and bone. But now the forests have fallen silent. Even the evergreens' branches are bare. Winter crops won't grow, and the threat of starvation looms. And deep in the forest a dark, malevolent will is at work. To face it, Liza will have to find within herself something more powerful than magic alone.

Here at last is the sequel to Bones of Faerie, for all those fans of dark fantasy and dystopian adventure who thrilled to Janni Lee Simner's unique vision of a postapocalyptic world infused with magic.


From the Hardcover edition.

  • Sales Rank: #1142805 in Books
  • Published on: 2012-04-10
  • Released on: 2012-04-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.19" h x .62" w x 5.50" l, .55 pounds
  • Binding: Paperback
  • 288 pages

Review
From VOYA:
Fans of dark Faerie stories will find this appealing. Liza is a strong female protagonist, and her story provides not only suspense in terms of the survival of the earth and humans, but also looks at different mother-daughter relationships, the power of promises, and the strength of love. This is a riveting story that should find fans at both junior and high school. Those who read the earlier tale will be eager to find its sequel.

From School Library Journal:
Simner paints a hauntingly exquisite portrait of a postapocalyptic world.� Faerie Winter is a beautifully crafted tale, peopled with believable characters and overflowing with dramatic plot twists. But perhaps the most exceptional quality is the vivid imagery that plunges readers into the story and keeps them enchanted throughout. Fans of both fantasy and dystopian fiction will devour this one.

About the Author
JANNI LEE SIMNER is the author of Bones of Faerie and Thief Eyes. Visit Janni at Simner.com.


From the Hardcover edition.

Excerpt. � Reprinted by permission. All rights reserved.
Chapter 1

Snow crunched beneath my boots as I patrolled the winter forest, a gray wolf by my side.

Low on the horizon, a waxing moon shone through the trees, silvering the bare branches of oak and ash, sycamore and elm. Cold bit through the tips of my leather gloves, and my breath puffed into the still air. An oak branch swung at me, sleepy and slow. The wolf--Matthew--growled a warning, but I ducked out of the way easily enough. The oak sighed, but it didn't try again. The trees were too tired to do much harm this winter.

I walked carefully over a line of fire ants melting a trail through the snow. Nearby I heard the clicking of termites chewing dead wood. Termites were among the few creatures who hadn't gone hungry since the leaves had fallen from the trees.

Beneath a pine that had dropped all its needles, a patch of ice-frosted ferns shivered. Something dark moved among the ferns--Matthew's ears stiffened into alertness. I slowed my steps and rested my hand against his back. We walked forward together.

A shadow hunkered amid the ferns, shapeless and trembling. As I knelt before it, the shadow took on a human shape, arms and legs and face, features smudged and indistinct in the moonlight. A child--in one hand it held out a toy, shaped like a dinosaur from Before--long Before.

I removed my glove and took the child's other hand in my own. Shadow fingers passed right through mine, and cold shivered through me. I reached out with my magic, and that magic was cold, too. Cold bound us one to another, shadow and living, strong as twisted rope. Softly I asked, "What is your name?"

Something deep within the shadow yearned toward me, aching to be called back to life. "Ben." His hoarse voice was at the edge of hearing.

I couldn't call any shadow back to life. "Seek sleep, Ben." I put my magic--my power--into the words. "Seek rest, seek darkness, seek peace."

Icy numbness spread through my fingers. Ben whimpered as he sank into the ferns and the snow. His fingers slipped from mine. "Ethan," he whispered, and then he was gone, leaving behind only a moon-bright whiteness that stung my eyes.

Cold shot through my palm and up my arm. Matthew nudged my other hand, and I remembered the glove I held. I pulled it on. Tingling warmth spread through my fingers, until I could move them once more. "Thanks, Matthew." I pressed my nose to his. Our frosted breaths, human and wolf, mingled in the air.

Matthew made a quiet sound. "Time to go home," I agreed. We turned from the ferns, back toward the path and the chores that waited in town. I scanned the snow and brush around us, but I didn't see any more shadows.

At least it was only human shadows we needed to watch for now. Until this winter, the trees had held shadows of their own, and those shadows had attacked anyone desperate enough to venture out at night. The trees' roots and branches had attacked, too, by day and night both.

But now the trees had dropped their leaves and they slept, and instead human shadows from Before roamed the woods at night, shadows of those who'd died during the War with Faerie. Sometimes those shadows drifted into town, looking for lost loved ones. I still remembered the look on Matthew's grandmother's face when the daughter I hadn't known she'd had appeared at her door. At least she'd let me lay that shadow to rest. Another of our townsfolk had shivered to death when he wouldn't let go of the shadow of his first wife, whom he'd lost during the War. After that, Matthew and I had started doing regular patrols, heading out before dawn a couple of times a week.

We could head out before dawn now that the trees no longer sought human flesh and blood. It had been a welcome change not to fear every rustling leaf.

Matthew stopped and sniffed the air. He turned and trotted off the path, deeper into the forest. I followed. My hand moved to the belt cinched around my oversized coat and the knife that hung sheathed there, a habit from years spent tracking game through more wakeful forests.

Matthew stopped by a mound about the same size he was. He nosed at it, let out a low whine, and began digging. The old snow was unevenly packed, as if it had been shaped by human hands. A faded brown dinosaur sat perched atop it, molded of hard pre-War plastic.

Cold got down beneath my coat and scarf, chilled my toes in their wool socks. I helped Matthew dig, knowing well enough what we would find.

Ben had been young, little more than a toddler, with curls that hung frozen over a face made pale by the moonlight. He hadn't died in the War after all. He'd died no more than a day or two ago, after the last snowfall, and someone had buried him here.

I wanted nothing more to do with dead children. I wanted to flee this place, but we had to know what had happened to him, in case it posed some danger to our town.

Cold stiffened my fingers. The dinosaur toppled into the snow. I kept digging.


From the Hardcover edition.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Bleak as winter, fresh as spring
By Leah
Author Janni Lee Simner's sequel to the post apocalyptic fantasy Bones of Faerie, FAERIE WINTER is cut from a different cloth than its predecessor. BONES OF FAERIE was more of Liza's, the narrator, coming of age in an America ravaged by magic from a past war between humans and the faerie. She also had to deal with her deepest fear: magic, especially since her overbearing father shunned anyone who was born with any magical potential, including her own sister. But the truth was more than even Liza could have realized. Read BONES first beforehand.

FAERIE WINTER is a story of survival. In this world, plants draw blood, creatures can attack on whim. Liza has magic and has come to terms with it, the ability to compel people and animals with her voice. She uses this ability with her friend Matthew, who can transform into a wolf, to help the lingering dead cross over. But her world is being affected by permanent winter. Crops won't grow; the forest, once a deadly entity, is growing silent. Then a chance encounter with a spirit in the forest brings a stranger to her town, and nothing is the same again. The Lady, a high ranking faerie, is on the attack.

Things kick off right from the first chapter and never lets go. At first you think the story is headed in one direction but then it veers off into another-a literary MacGuffin-which was surprising yet well done. Being a survival story, there is violence, gore, and death, so tread into this one cautiously.

Everything Liza learned from her father pays off in this story. She is definitely not afraid of getting her hands dirty. She constantly feels the need to put herself on the line for others, but remember, here is a girl who has gone through hell and back. She has lost a lot, yet she still gets up every time. The only pet peeve I had was her compulsion was unintentionally funny. There were times when she sounded like an angry mother. Example being: "Tara (her mother), come here!"

Liza's relationship with Matthew was my favorite. In the gray world they grew up in, their bond was strong. They really cared about each other. Her bond with her mother had been strained since the end of BONES OF FAERIE. It wasn't perfect, but Liza's feeling of abandonment was very real. The introduction of kids Kyle-very adorable- and Johnny helped Liza develop into a tougher young woman. But it was her "relationship" with the vengeful Lady that takes center stage. Theirs was a battle of wills, you never knew who was going to win.

I have to tip my hat to Ms. Simner. Her world brimmed with danger and magic. She took two years to present this next chapter in her faerie story, and it was well worth the wait. Don't go near the trees. Don't draw the attention of any of the animals. Dare you enter this wintry forest, better be prepared for what's lurking there.

2 of 2 people found the following review helpful.
A gripping sensory story that transports you
By Natasha Reeves
I read Bones of Faerie and fell in love with the world, accepting the fact that there probably wasn't going to be a sequel. In fact, I didn't even expect one. But I was delighted when I saw there was one, forgetting how intense my love was for Bones of Faerie. Faerie Winter matched that adoration and rose above it.

Simner creates a world that is simplistically complicated. It's hard to explain. I felt it was pure, like the essence of, well, a faerie and not cluttered by dirt and other things that I enjoy equally in other fiction. This truly gives me a calm feeling when I read it, even as bad things are happening.

The story is done very well, and isn't a sequel as much as a companion, like the Artemis Fowl books always have a new story in each book but with the characters that tie them together. We get to explore more about the children After, their magic, and their need to be accepted and want to use their gifts to help and not harm. We also meet the cruel fae, the most cruel of the cruel in fact, The Lady herself. She was as beautiful and deadly as dry ice. And yet, as "dark" as everything was, the story never really had a dark or bleak tone. It felt like I was stuck in winter (as I read this with 90 degree weather outside) and I felt sleepy like I do during winter months.

Simner managed to catch the essence of winter in this book and balance it subtly with the knowledge that spring will come, but how easily to forget something when it's gone away for long periods. Do pick it up. Do yourself a favor. It will wow you and have you wanting more. Simner left enough threads where there could be another, but regardless, I am perfectly content with whatever is in store for our beloved characters.

1 of 1 people found the following review helpful.
Excellent sequel to Bones Of Faerie
By Victoria Sloboda
Excellent follow up to Bones of Faerie. Liza brought the chia tree seed back from the dark dead world and had it come to life in the human land. But after fall winter occurred and never left. Those from Before kept saying spring would come but after 6 months, it looked a bit grave. Many of those from Before don't trust their own children since all born After have magic and they are afraid of the children. Liza's mom is trying to train the children how to control their magic. But many like Kyle and Johnny's mom pretty much hate their own kids.
While out on soul patrol Liza and Matthew find a burned to death child. As she sends his shadow on it becomes apparent that a firestarter caused his death and Ben (the boy) says the name Ethan as he fades. Liza and Matthew find Ethan and take him back to the village. He has no control over his magic and almost burns down Liza's home. Matthew goes off to get Caleb to come heal Matthew. When Matthew doesn't return by morning Liza goes in search of him. While tracking him she notices another set of prints. They're Kyle's. Johnny sneaks up on Liza and says that Kyle has run away again. She can't get them to head back to the village before they find all these burned to death children.
I won't say anymore. What follows is action packed and a must read.

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Dignitas Connubii: Norms and Commentary, by Klaus Ludicke

This text is a translation, emendation, with new and additional material to Die EheprozeBordnung der katholischen Kirche: Text (Latein und Deutsch) und Kommentar.

  • Sales Rank: #3429867 in Books
  • Published on: 2006-11
  • Original language: English
  • Binding: Hardcover
  • 556 pages

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Jumat, 18 Juli 2014

[U818.Ebook] Ebook Environmental Economics: In Theory & Practice, Second Edition, by Nick Hanley, Jason Shogren, Ben White

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Environmental Economics: In Theory & Practice, Second Edition, by Nick Hanley, Jason Shogren, Ben White

The second edition of Environmental Economics has been fully updated and revised to take into account recent developments relating to the relationship between economics and the environment. New chapters on environmental risk, trade and the environment, and ecosystems and economics contribute to the stimulating analysis offered in this timely new edition.

  • Sales Rank: #557140 in Books
  • Published on: 2007-01-01
  • Released on: 2007-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.03" w x 6.16" l, 1.58 pounds
  • Binding: Paperback
  • 395 pages

About the Author
Nick Hanley is Professor of Environmental Economics at Edinburgh University.�Jason Shogren is Professor of Economics at the University of Wyoming. �Ben White is Senior Lecturer, School of Agriculture and Resource Economics, University of Western Australia.

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4 of 5 people found the following review helpful.
May be the the best book on this subject
By Johannes Idso
This is the book for those who already have some background in micro economics. So I will not recommend the book for the fresh student. However, if you know some mathematics and have studied micro economics: This is the book for you. In fact it is the best book I have seen on this subject.

0 of 1 people found the following review helpful.
Good and fast delivered
By Amolina
It was delivered in good shape and fast. The book is very good, I strongly recomend it for those who are interested in teaching or learning environmental economics.

0 of 1 people found the following review helpful.
Five Stars
By Bondi Arifin
Great, as expected

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Rabu, 09 Juli 2014

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Dodge Shadow & Ply. Sundance '87'94 (Haynes Repair Manuals), by Haynes

Inside this manual you will find routine maintenance, tune-up procedures, engine repair, cooling and heating, air conditioning, fuel and exhaust, emissions control, ignition, brakes, suspension and steering, electrical systems, and wiring diagrams.

  • Sales Rank: #1305744 in Books
  • Brand: Haynes
  • Published on: 1999-01-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.75" h x .62" w x 8.25" l, .50 pounds
  • Binding: Paperback
  • 328 pages
Features
  • HAYNES PUBLICATIONS INC. 30055 AUTO REPAIR
  • 30055
  • Contact us with any questions!

About the Author
Haynes offers the best coverage for cars, trucks, vans, SUVs and motorcycles on the market today. Each manual contains easy to follow step-by-step instructions linked to hundreds of photographs and illustrations. Included in every manual: troubleshooting section to help identify specific problems; tips that give valuable short cuts to make the job easier and eliminate the need for special tools; notes, cautions and warnings for the home mechanic; color spark plug diagnosis and an easy to use index.

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