PDF Ebook The Films of Ingmar Bergman: Illusions of Light and Darkness, by L. Hubner
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The Films of Ingmar Bergman: Illusions of Light and Darkness, by L. Hubner
PDF Ebook The Films of Ingmar Bergman: Illusions of Light and Darkness, by L. Hubner
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Laura Hubner is one of the first critics to analyse the elements of 'illusion' in key films by Bergman and relate these�to cultural and artistic influences on his creative output, the phenomenon of Bergman as 'art film' director, and debates about modernism, postmodernism and emerging feminist discourses on gender and multiplicity.
- Sales Rank: #5400222 in Books
- Published on: 2007-04-15
- Released on: 2007-05-29
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .50" w x 5.50" l, .76 pounds
- Binding: Hardcover
- 189 pages
About the Author
LAURA HUBNER is a Senior Lecturer in Film and Media Studies at the University of Winchester, UK.
Most helpful customer reviews
2 of 3 people found the following review helpful.
Favorite Scholarly Work on Bergman
By Reagan M. Ross
After researching Bergman for a class I taught on him, and thus reading just about anything I could get my hands on, for me, Hubner's work on his films was the most thoughtful, thought provoking, and insightful. I especially loved her approach: She contextualized key Bergman works by placing these films in a historical-cinematic context and collating many readings and thoughts on the films; she acted as a kind of mediator to all of these disparate voices, subtly injecting her own voice into the mix. And...for a scholarly work, it was just a fun read!
1 of 2 people found the following review helpful.
One of the Best
By Rochester Richie
One of the best books on Bergman, and almost certainly the best general introduction to the director's work (as opposed to, say, one focused on a specific perspective, like Feminism) to emerge in the last half-dozen years. Hubner has a lively, readable style, and she is a whip-smart master of contemporary theory. Although the ideal reader might be a graduate student or scholar, I imagine a smart non-academic could enjoy it, too. Only complaint: Why no low-cost paperback edition? I'd assign it as a textbook in my own film classes if it were more affordable.
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